Katy Grannan, originally from Arlington, MA, discovered a passion for photography early in life, after her grandmother gave her a Kodak Instamatic 124. She never aspired to be an artist until she discovered Robert Frank and his indelible photographs in The Americans. This work changed her life.
Grannan was first recognized for an intimate series of portraits depicting strangers she met through newspaper advertisements. Since moving to California in 2006, Grannan has explored the relationship between aspiration and delusion—where our shared desire to be of worth confronts the uneasy prospect of anonymity. Together, Boulevard and The Ninety Nineunfold as a danse macabre of society’s liminal and ignored—the “anonymous”.
THE NINE, Grannan’s first feature film, is an intimate, at times disturbing, view into an America most would rather ignore. Raw, poetic, direct, and unnerving, the film is less a window into a foreign world than a distorted mirror reflecting our own, shared existence.
Grannan’s photographs are included in the collections of the Whitney Museum of American Art; The Metropolitan Museum of Art; the Museum of Modern Art, New York; the Guggenheim Museum, New York; the San Francisco Museum of Modern Art; and the Los Angeles County Museum of Art, among many others. She’s also a long time contributor to The New York Times Magazine, The New Yorker, and many other important publications. Grannan received her BA from the University of Pennsylvania and her MFA from the Yale School of Art. There are five monographs of her work: Model American, The Westerns, Boulevard, The Nine, and The Ninety Nine.